Welcome To Boogie Beau's blog site.

This site is about my endeavor to perform, teach, write and sell Boogie Woogie style piano music. I started learning the piano/keyboard in January 2009 with no preivous keyboard experience. I have found that playing the Boogie and Blues genre of music is fun, challenging and a great retirement pastime! Send comments and questions to Boogie Beau

The Making of ” Baby Blues ”

Posted By Scott on August 16, 2010

Using tritones and a simple left hand Root-flat5-5 bass line I came up with an easy to play tune I titled “Baby Blues”.   It’s got to be easy or I couldn’t play it (lol).   Baby Blues is a bad little girl doggy who doesn’t want to fetch a stick or ball.     The song lyrics I made up pretty quick and they don’t blend to well in spots but suffice.     I made many mistakes when I recorded and mixed my first songs.  Now I’ve learned to have input volume levels  near zero or  just below when recording all the tracks.   Then tweak any tracks down a bit if need be in the final mixes.    In general I’ve found when everything is playing near the same volume the music sounds pleasant.     

BB Baby Blues Singles Cover Art

Flash required

So how do I do the recording and mixing?   I will elaborate on that for those that might want to know.    Recording music is a complicated affair but now that I have done over a dozen songs I can produce an entrie song in a few hours.    My computer is a Dell Inspiron 1525 laptop running Windows Vista.   For capture, editing and mixing I used  Sonar LE 6 which is DAW software (digital audio workstation), Sonar LE came with my Roland Juno Stage.    

Sonar LE - tracks in Baby Blues project

For the Bass and Drum tracks I used the DR-880 EZ-Compose feature.  The Ballad Bass EZ option 6 has an underlying background tone and I used I believe a Latin option for the percussion effect.    EZ-Compose  has a 12  bar blues pattern preset so I used that and set the key to C.      The DR-880 plugs into a  USB port and I have the bass set to midi channel 3 and drum to midi channel 10.      So I record the 12 bar pattern into two midi tracks into Sonar LE.  Because the timing isn’t perfect as I don’t know how to sync things up I usually got to use the nudge feature in Sonar to move the tracks a few ticks one way or the other so the first note starts right on the beat one.    That done I copy and paste the 12 bars duplicating several times to make one long track.      I then go in using the Sonar note editor and modify the last bar or add a bar to make an ending measure that fades out.  

 The second step  I record the left hand track for 12 bars and usually replicate those 12 bars multiple times also.      The next step is recording the  right hand track and usually I play the whole song in one step.    If I do have troubles and make mistakes I’ll use the punch in and punch out feature in Sonar LE to correct.   I like to play the whole song so there will be differences in the notes, volume and rhythm otherwise the song will surely sound repetitive.    Midi track wise  I have the left hand track set to midi track 1 and right hand track set to midi track 2 and the Juno Stage keyboard range split as needed.   Often I have a different piano sound for each side of the split.

For  “Baby Blues” song I have a second right hand lead piano track.   I recorded this lead piano track using a heavy left hand on the modulation wheel which made the piano sound a bit like a guitar.   I think that was the first time I ever used that mod wheel/stick in a song and the effect sounds quite nice I think.     I recorded that track in one take just improvising and though the playing is not perfection the notes vary greatly between each set of 12 bars which gives the song some flavor.  

 I use a Behringer Xenyx FX1222 USB mixer.     USB is great because my laptop connects right to the mixer for my audio sound in and out.   So that’s three USB connects, the Juno Stage keyboard, BOSS DR-880 drum machine and Behringer mixer!      My speakers are connected to the main outs of the Behringer.

Behringer 1222 mixer , connects left to right mike, RD700, Juno Stage, BOSS DR880, output to speakers, headphone, not show in back is USB audio to computer runing Sonar LE

 I lost count of the steps but at this point what I do is play the midi tracks in Sonar LE  (which is playing the Juno Stage and BOSS DR-880 and record that mix to a new Sonar instrument audio track  via the USB audio connect from the mixer.    

Recording the vocal.      I  mute my midi tracks and sing along with my instrument audio track.  You got to listen to the sound of course through headphones while singing into the mike.  If you used speakers instead of headphones the sound is going to echo back with your vocal audio track.   The Shure SM58 microhone  is plugged into the Behringer and I have some reverb and equal effects on it the Behringer provides.     The headphones are plugged into the headphone jack of the Behringer so I can hear my voice and the instrument audio track.     I don’t why it works but I’m very glad it does in that the  instrument audio track sound going into the mixer via the USB .. does not come back to computer ..   thus all I get recording the vocal audio track in Sonar is just my voice  nothing else.      This setup my friends was a real mind bender for me to understand and accomplish and believe me seeing it all work and having everything still sync up  perfect in the tracks is a credit to how well Sonar LE works!    However don’t think I have the perfect setup here going as I do have some 60 cycle hum going on though I suspect everyone does.  

 For the dog bark sound I used the Juno Stage GM2 patch 228 dog bark sound effect.   I just put the mike in front of the speaker and put the barks in the vocal audio track.   I thought about scattering barks throughout the song but went with just 3 in the beginning and 3 at the end.     

The final step in Sonar is to use Bounce feature which mixes my vocal audio and instrument audio tracks together into a final audio track.    Of course I can preview the mix and usually I need to adjust the vocal level down just a bit and I add a bit of reverb and compression.        I take the final audio track wav file Sonar built and use Sound Forge to insert some blank space at the end and front and save it to the wav and mp3 formats I need.

 To create the sheet music in Finale Composer I save my Sonar LE project to a .mid file,  open that up in Finale and copy and paste the tracks it into my new Finale document.    Finale is a great little composer program.   I’m able to print to Primo PDF Windows Vista provides and get my nice PDF file version of the sheet music.

The mp3 music track of “Baby Blues” can be downloaded from my CDBABY page for free.     The sheet music you can find on my BB Basics Files download page (see menu on right side of this page).   Follow the instructions on the Boogie Basics page on how to get the password for the download page.

Rig News

Posted By Scott on August 14, 2010

The rig is always changing.    Last Spring I got a TAMA drum throne seat which I like.   I added onto the seat a Roc N Sock seat back.    I also got a floor matte from Office Max so I  didnt’ wear out the carpet around the seat.        Recently I got a new Dell 22″ flat panel monitor that plugs into my laptop, amazingly those monitors are only $150 at Best Buy.   I can position that monitor on the teir arms on the keyboard.  So if I have electronic lessons I place it there and that works out great.       If I am doing recordng the big monitor helps out a bunch giving me plenty of screen space for Sonar LE windows.  

My foot switch collection

 I’ve been fighting  foot pedals all year it seems.   I first used an Roland EV-5 to click the drum machine on and off on the Juno Stage.   Then I started using both the BOSS DR-880 and the internal Juno Stage drum machines.   So I purchased a BOSS FS-6 dual switch where I had a separate cable going to the Juno Stage and other to the BOSS DR-880.   Unfortunately if you don’t unplug the cables after you are  done every day the little 9v battery goes dead after several days in that FS-6.   That sucks and surely I would not care for that worry if I was doing gigs  so now I’m using two of the little Roland DP-2 foot switches.   The DP-2 is relatively cheap and doesn’t use a battery. 

The Juno Stage Rig as of August 2010

I also purchased used on EBAY an OnStage laptop/mixer stand that I had planned to put the Dell 22″ Monitor on.   But that doesn’t work out at all as you can’t get it as close I a need for my  eyes to read music on it.    Anyway I put one of my KC-60′s on it and the other KC-60 on top the subwoofer.   Before I used just one KC-60.   I like the more stereo sound I’m hearing but for some reason I can’t turn the volume up near as loud now as we get feedback easily in the mike.    With both right and left mixer jacks going into one KC-60 we can turn it up loud without feed back ..  I  don’t understand why that is.     I’ve had the  Roland PK-5A pedal unit for several months now but I’m not very fond of it.    Just a little bit of practice on it seems to make the left leg tired and also my back cramp.   I am going to start doing some basic scale drills on it each day spending at least 30 minutes.    If I find I don’t like it .. well it’s gona go on the EBAY block.       Other rig news is I’ve sold my vintage Roland PRO-E arranger keyboards.  I found I just didn’t like playing on 37 keys.

Frankie and Johnnie

Posted By Scott on August 5, 2010

Frankie and Johnnie is a classic old folk song that tells the story of a man who done his woman wrong and gets shot by her for it.   There are several verses and I managed to extend the song out to some 12 minutes in length.   The piano melody is catchy and it’s hard not to tap a foot and sway the hips when listening to this old song.   You can hear my version of Frankie and Johnnie on my Musician’s Facebook Page.         If you want your own mp3 copy leave a comment here.      For a quick overview of the history of the song or just about any old popular song for that matter check it out on  Wikipedia.    I’ve found Wikipedia is a great source when it comes to learning about the history of  songs and the people who sung them.

Music in Monclova

Posted By Scott on July 11, 2010

The Monclova Home Coming Festival was July 9-10.  Besides a parade on Saturday morning the other main attraction is a beer tent and live music on Friday and Saturday evenings.   Admission to the   entertainment area was just $1.  Below Monclovians set around the entertainment tent enjoying a July summer evening.

Monclova Home Coming Festival

I didn’t make it down Saturday but did spend a couple hours Friday evening listening to the All4It rock band.   The members of the 4 piece band (lead, bass, drum and keyboard)looked to be in the mid-50′s age group and they played great old cover songs from the 60′s, 70′s and 80′s like they had been doing it for 40 years.    A different keyboard player took the stage most of set two so I guess they had two guys sharing that job.    It’s always great to watch a keyboard player doing his thing with a band ..  unfortunately my ears seem to have troubles hearing the keyboard over the guitars most of the time.   My observation was a good percent of the songs the keyboardist was using a gritty rock organ sound.     However he had a few solos that I’ll have to try myself sometime.   He did a solo introduction with vocal of 3DogKnight’s   ”I  May Be Weary”  that was interesting.    Also the keyboard solo in Hotel California  sounded good also.   

All4It! Band

It was great to have live music and beer I could walk to.   The crowd was a little sparse I thought so I hope more people make it over to Monclova for the 2011 event.

GearFest 2010 – Awesome !

Posted By Scott on June 26, 2010

Inside GearFest 2010

SweetWater is a music gear equipment company head quartered in Ft. Wayne  Indiana about a two hour drive from me.    They are a different kind of music warehouse company.  For example when you purchase gear online from them you get a personal followup call from your assigned sales engineer.      When I seen the invite from Sweetwater to GearFest 2010 I didn’t think much about it at first.   Then I read there would be like 150 companies exhibiting products plus some free seminars so I signed up.   Still I was a bit concerned it might be time not so well spent.     I can say now that I’m extremely glad I went because SweetWater’s GearFest was a totally awesome experience.    The SweetWater facilities are incredible and I surely will go back again.       The highlight of the trip for me was a 90 minute talk by a mixing engineer.  

Mixing Lecture

Outside there were several large tents set up with over a hundred exhibitors.  Everything on display was for sale at GearFest prices.  That meant any gear you saw exhibited could be bought on the spot.    Well not that exact unit but a new unit right  from the warehouse shipped to your front door at a crazy low GearFest price.  I don’t want to tell you every little thing about GearFest because that would be like telling you the end of a new movie you been wanting to see.    Buy some gear from SweetWater and get invited to GearFest 2011.